XIPE _ Giulia Deval, Ivan Bringas — Ex-peau-sition
I.
Spellato, Clemente Susini, wax, Museo di Storia Naturale La Specola, Florence;
Venere anatomica, Clemente Susini, wax, Museo di Storia Naturale La Specola, Florence, 1780-1782;
II.
Statue of Xipe-Totec, “Our lord the Skinned”, ancient Mesoamerican deity, Museum der Kulturen, Basel;
Depiction of Xipe-Totec in Borgia Code;
III.
Anatomic Theater of Archiginnasio, Bologna
Operating table;
Coffered ceiling depicting fourteen constellations with Apollo in the center, Antonio Levanti, 1645;
IV.
La punizione di Marsia, Tiziano Vecellio, Archdiocesan Museum in Kroměříž, Czech Republic, 1570-1576;
Marsyas tied naked to a tree before being skinned, marble sculpture, Roman copy from the 1st-2nd century after the Hellenistic period, Paris, Louvre;
V.
Corn that loses its skin during the nixtamalization process
I.
Spellato, Clemente Susini, wax, Museo di Storia Naturale La Specola, Florence;
Venere anatomica, Clemente Susini, wax, Museo di Storia Naturale La Specola, Florence, 1780-1782;
II.
Statue of Xipe-Totec, “Our lord the Skinned”, ancient Mesoamerican deity, Museum der Kulturen, Basel;
Depiction of Xipe-Totec in Borgia Code;
III.
Anatomic Theater of Archiginnasio, Bologna
Operating table;
Coffered ceiling depicting fourteen constellations with Apollo in the center, Antonio Levanti, 1645;
IV.
La punizione di Marsia, Tiziano Vecellio, Archdiocesan Museum in Kroměříž, Czech Republic, 1570-1576;
Marsyas tied naked to a tree before being skinned, marble sculpture, Roman copy from the 1st-2nd century after the Hellenistic period, Paris, Louvre;
V.
Corn that loses its skin during the nixtamalization process